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vastderp:

lalaland1212:

theatre-whovian:

vastderp:

Meet the Mona Lisa of the Prado, the earliest known copy of Da Vinci’s best portrait. Similarity in the undersketch of the painting indicates that this was very likely painted concurrently with the original Mona Lisa, by a student of Da Vinci.

There is much controversy in the art world over the question of whether or not to clean the fragile Mona Lisa, but her sister has been restored and some fairly odd later alterations removed to show the original vibrant colors and lighting. Some details, such as the sheerness of her shawl and the pattern on the neckline of her dress, have become utterly obscured in the original, but in the restored copy they’re perfectly clear.

It blows my mind a little bit to look at these two sisters side-by-side and imagine how much vivid detail could be hiding in the Mona Lisa under 500 years of rotten varnish. 

THE COPY HAS EYEBROWS

Your response to a beautiful piece of artwork done by Leonardo Da Vinci himself is “SHES GOT EYEBROWS”. Alright. All intelligent life has been lost.

Yo Snooty McSnotwhine, the Mona Lisa’s vanished eyebrows have been the subject of debate and analysis in the art expert community for hundreds of years, long before your parents squirted water at each other from across the clown car and then honked their bicycle horns to indicate they really wanted to make a smug, insufferable little clown baby together. 

Came for the artwork, stayed for the commentary.

(Source: vastderp-placeholder)

marryastarlord:

nicholasdunnes:

winkbooks:

Dead Inside: Do Not Enter — Notes from the Zombie Apocalypse

Dead Inside: Do Not Enter
by Lost Zombies
Chronicle
2011, 160 pages, 8 x 10 x 0.5 inches
$15 Buy a copy on Amazon

Some of my favorite things about zombie movies are the details of the changed world. The dead grass, broken windows, toppled telephone poles, abandoned cars with missing wheels and trunks left open, boarded-up buildings, spent ammo shells, and other signs of struggle and desperation serve to create a fascinatingly creepy environment.

And that’s why I like Dead Inside: Do Not Enter so much. The book consists entirely of letters, hand-written warnings, and pages torn from journal entries that were written during the zombie pandemic. The notes are on matchbooks, napkins, photographs, advertisements, shopping lists, road maps, scraps of cardboard, and gum wrappers. Some of the notes are written with pen and pencil, others are written with lipstick, burnt wood, crayons, and blood.

The messages of the notes themselves tell the tale of the rise of the zombie pandemic, from tentative, joking questions about a “really bad flu,” escalating to confused panic, and later to grim acceptance of the new reality that the survivors now must live in.

In the introduction to Dead Inside, we learn that these notes had been found in a Dora the Explorer backpack. The first note presented in the book was written by the man who killed the owner of the backpack, a girl who was about 10 years old and had been bitten by a zombie (but had not yet turned into one). The man wrote “I opened her backpack and found all these notes and letters. This stuff is poisonous. No one in their right mind should read it. Reading this is like looking into the sun.” – Mark Frauenfelder

September 16, 2014

hopeheisagentleman

I HAVE A MIGHTY NEEEDDD

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